Radio: Launch of BBC Radio 1 CSP
Historical, social and cultural contexts
1) What radio stations were offered by the BBC before 1967?
- -The Home Service.
- -The Light Programme.
- -The Third Programm
2) How was BBC radio reorganised in September 1967? What were the new stations that launched?
3) What was pirate radio and why was it popular?
4) Why did pirate radio stop broadcasting in 1967?
5) How did the BBC attract young audiences to Radio 1 after pirate radio stations were closed down?
6) What was 'needle time' and why was it a problem for BBC Radio?
7) How did BBC Radio 1 offer different content to previous BBC radio stations?
8) Who was the first presenter for BBC Radio 1 and why did these new Radio 1 DJs cause upset initially at the traditional BBC?
9) Listen to excerpts from the Tony Blackburn's first 1967 broadcast - how might it have appealed to young listeners?
10) How was Tony Blackburn's radio show more like pirate radio rather than traditional BBC radio content?
Audience and industry
The BBC claims that it targets the 15–29 age group, and the average age of its UK audience since 2009 is 30.
2) Why did Radio 1 initially struggle to attract young listeners?
It was not seen as 'cool' by many young people as the BBC stood for traditional, conservative values. It struggled financially as there was no increase in the licence fee to pay for this extra
3) What audience pleasures did Radio 1 offer listeners in 1967? (Use Blumler and Katz Uses and Gratifications theory).
Personal identity-young audience relate to the producer because he is informal.
Personal relationships-young audience feel a relationship to how he acts and many people want to be friends with him.
Diversion-more emphasis on music and competitions,up beat and fast paced
4) How is the BBC funded?
Its work is funded principally by an annual television licence fee which is charged to all British households, companies, and organisations using any type of equipment to receive or record live television broadcasts or to use the BBC's streaming service, iPlayer.
5) Applying Stuart Hall's Reception theory, what would the preferred and oppositional readings have been for BBC Radio 1 in 1967?
Preferred reading-what producers want you to think;"cool" and innovative and new
Oppositional reading-people would think that he had 'sold out' or become part of establishment
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